Tuesday, December 1, 2015

Novel





After an hour into this erstwhile novel, (its updated version is also by the same name), I was over-joyous and opined that this is the best work of Charu till date. Then, my joy reached a plateau in the mid-course, on reading Anjali's constant complaints. I felt Anjali is cheating on Udhaya. To my surprise, The fifth climax by Kokarako reflected my thoughts. Through the final hour into the novel, my joy reached crests, with five different climaxes ( six actually, counting the one in the first page), reflecting five different possibilities.
The political ideas put forth by Udhaya and Kokarako are very important. Udhaya says the reason he does not want to go into spiritual  business - is that because he does not want to leave behind an organisation in his name after his death. He feels the organisation dictates people what to watch, who to follow, what to read - simply it 'makes' opinion for people.
 
Kokarako, in the fifth climax, questions Anjali of her deeds. He feels it is an 'attitude problem' of women like Anjali. Kokarako goes on to say this political statement: women should come up and lead the men and shepherd the family.


The writer has great guts in writing about Pakkirisamy and the scam involving crores and ministers. The modi-operandi of Pakirisamy are explained in detail and in an easy-to-understand language. And the test, the minister keeps for Pakirisamy involving an actress and not money, is nice.


Udhaya explains sensibly the truth behind the alleged sex-chat and the letter allegedly written by Perundevi to Jimka Saamiyar. I was laughing for five minutes on reading the 'ideal chat' proposed by Kokarako. Perundevi opines that it is even wrong to complain about one's husband to an outsider. Kokarako hit the bull's eye at this point asking Udhaya, whether Anjali has read this line.


The ordeals, Anjali underwent under the hands of Divakar, are not easy to pass by. In the fourth climax, Udhaya's daughter says she had undergone similar child sex abuse. In India, the girl child (children, in general) has socio-politico-cultural barrier in revealing it to her parents.


Kokarako, in the fifth climax, questions Anjali why her narrative is pegged by constant pessimism. It was my thought too. Kokarako mocks that even an eighty year old man, who comes only once in the novel, is shown as a badass by Anjali.


The five different climaxes written by the author is a brilliant move. It envisages the five different moods of the reader. The first climax is spiritual and says Udhaya has passed the 'lust part' of his life. Udhaya, in the most exemplary definition of spiritualism, says that it is an inner warmth that one feels in front of the Almighty.


I felt the love letters by Anjali and Udhaya in the novel contained too little love. The reader thinks the love between them is shallow. And for readers with opinion like me, the author gives the third climax, where they depart.


Altogether, I liked this novel - it started with a high and ended with a high.

(Originally written on December 28, 2013 in Charu Nivedita Readers’ Forum, Facebook.)

Dhegam - Reading Experience

This summary is not available. Please click here to view the post.

My Perspective on Charu Nivedita




Charu Nivedita


What deters readers from buying Charu's books is that there is a general notion that his books are vulgar or contain uninteresting page-fillers. When Dhegam was released, Mysskin called it a porn. When Exile was released, many bloggers scanned a page or two from the book in their blog and said it contains nonsense pages. In my opinion, those who say Charu's writings are vulgar- must have not read at-least a novel or two of pulp authors like Sidney Sheldon, Harold Robbins ( The Lonely Lady - which contains finer details of coitus, both homo and heterosexual), Arthur Hailey (Strong Medicine, The Money Changers), James Hadley Chase (Hit and Run).


Even The Hindu comes with articles on the Tamil editions of Mills and Boons. The Landmark stores have an exclusive section for both English and Tamil Mills and Boons. The sex in Charu's writings is a political statement and not merely porn. The sex in Charu's writings speak the politics of body, feminism and transgression; it speaks for the marginalized sections of the society; it speaks for the third gender.


And for those naysayers saying Charu's writings are uninteresting, they miss the fun. As Winston Churchill put it, " Let the sleeping dogs lie."


For those who say that they do not understand Charu's writings, come on people, haven’t you seen Inception (what do you think the climax is?) , Memento (who killed the heroine? ), Run Lola Run, 12B and the like?


From my understanding of postmodernism, which is there in Charu's fiction and the above films, the author / director, engages the reader / viewer in his work. The perception of this art is subjective. My understanding of Memento is that the hero killed the heroine and he is the villain. Some may think otherwise. There is nothing wrong.


Charu introduces good books and good music throughout his literary travel. I heard the names of Michel Foucault, Jean Genet, Sartre, Tahar Ben Jelloun, Nikos Kazantzakis for the first time only through Charu. I plan to read them in future. I plan to read Pattinathar, Devaram, Naalayira Thivya Prabandam in future.


Someone has to introduce you a better book, a better music, a better art. Charu, like a friend, pats on the reader's shoulder and says read this, hear this, see this. He teaches us to see the world.


I saw Inception and read reviews of Charu and S.Ramakrishnan and came to know about Hans Zimmer, penrose stairs, M.C.Escher. The beauty of films / novels like these is that it pulls you in, makes you understand and enjoy the art better and better each time you read / see it. I got mesmerized on hearing Wim Mertens' ‘Struggle For Pleasure.’


Read the tougher chapters again and again, you will understand the meaning. If not, ask your doubts in Vaasagar Vattam. We can engage in active discussion and understand and enjoy the text better.


It does not necessitate an ordinary reader to have read English pulp or to have seen Hollywood films, to understand Charu's writings. Get one of his book. Read it with no preconceived notions, no prejudices. Read it with an open mind. Reading, in general, is a pleasant experience. And particularly the writings of Charu engage oneself's mind and heart. Understand, the baseline of Charuism is - LOVE.

(Originally written on November 15, 2013 in Charu Nivedita Readers’ Forum, Facebook.)

Saturday, November 28, 2015

Raasa Leela - Review

Raasa Leela (Tamil)  - Charu  Nivedita


Raasa Leela - Tamil Edition



On one of those mundane days at the Post Office he works in, Kannayiram Perumal, the protagonist, goes to the toilet - he has this peculiar trait of micturating litres - he hears the telephone ringing. The phone call is for the IPS Paramanand (Indian Postal Service Officer) - the bosses do not attend their phone calls by themselves; it has to bypass via stenos like Perumal; the steno would attend the call, press the buzzer to the boss, asking whether he would like to speak and if affirmative, would transfer the call to the boss. As Perumal returns to his seat, Paramanand presses the buzzer from his room, asking his orderly to send Perumal in. The boss with a stern face asks, "Perumal, is your phone not working?" When he replies it is working, the boss asks that it has been ringing for a long time and where Perumal went without answering the call. Perumal does not say a word, goes out and takes an unofficial leave for about a year.


His boss at the Headquarters of Department of Prisons, Annasamy, the Superintendent, is unhappy that Perumal is not coming to work on Sundays. When Perumal says it is a holiday, Annasamy quotes some obscure rules that a Government Employee should discharge his duties 24 x 7 x 365. One Saturday evening, when the boss gives him file bundles, one after another - to write reminders on beedi for prisoners - a work which cannot be finished in a day, he says he is going home. Annasamy says slyly, " No problem, A 2 sir (his post - Perumal says it is considered obscene in a government office to call one by his name without the suffix 'sir'), you can very well go home now; come tomorrow and finish the work leisurely." He does not go the next day, takes a medical leave and in the meantime, fortunately or unfortunately lands in a job at the Department of Rations, Government of Delhi.


He confesses that he never receives bribe. He reasons out that he already feels like a pimp and does not want to demean himself further.


Perumal, when asked in an interview, what his job is, says that he works as a pimp. In his Delhi office, the boss Khanna would make love with one Sushma, a clerk, in his locked cabin. Perumal would have to lie to Khanna's superiors or anyone for that matter, even to the L.G. (Lieutenant Governor of Delhi) that Khanna has gone out for inspection.


Perumal calls his bosses as lunatics, the post office, a mental asylum and a torture camp.


Meera, Perumal's wife, has to get up at 5 AM, get ready, cook breakfast and lunch for the family, make her son ready to the school, catch the 8:40 bus from Chinmaya Nagar to the Mount Road Office; and worse, she has to wage wars on a daily basis with the frotteurs in the bus.


During his stint at the Prisons Office, Perumal notices that - after all these years of service in a Government Office, after all these years of bending one's body to say Good Morning to their bosses - Kanagasabai and other clerks' body language resembles that of an acrobat's monkey.


Perumal notices that while all his bosses have flat abdomen, his colleagues - the clerks and stenos - have a big paunch; bosses like Paramanand often complain that they do not shave daily. He reasons out: the Superintendents walk daily morning in the park, read news paper leisurely, bath and come in a car to the office at 9 AM sharp. The clerks' lifestyle does not permit this.


Indrani, the Superintendent at the Postal Stores Depot, feels that it is demeaning for her to bring lunch by herself from home. From then on, the orderly Tirupati has to go to her residence at Gowrivakkam from Chetpet, get her lunch in a carrier, gives her the carrier and has to travel again to Gowrivakkam to return the carrier. Perumal gauges that the 'lunch travel' costs Seven Thousand Rupees, a month.


Rangarajan is the Chief PMG (Post Master General) at the Circle Office. One evening, he dictates for three hours, at the rate of One Hundred and Forty words per minute, to his steno Varadan, Perumal's friend and he wants it done in an hour. Varadan gives his soul and body and finishes it by well past midnight. All along, Rangarajan's driver Ezhumalai waits for him at the office. They go to the boss' residence, hand over the file and worse, the boss does not even say thanks. Even worse, when Ezhumalai asks him permission to drop Varadan at his residence in the office car, Rangarajan says, "We have never dropped stenos at their residence in car; Okay, do as per your wish." How bitter?


Where do you find violence and oppression at the most ? The Warfield? The Home? The Office? Rasaleela tells you daringly that it is at one's workplace that cruelty, violence, feudalism, cunningness, oppression and humiliation are at their maximum.


Ramakrishnan, the Malayalam translator of this novel jokingly says Perumal that Railways is a bigger network than the Postal Department. And you will find Four Hundred Stories of red-tapism there. Perumal thinks it is not only the Government Sector but people at the Private Sector too have the same attitude. After the bypass surgery, the Doctor he meets for review, does not even bother to look at the ECG, Echo and the Blood test reports; he never explains why he prescribed a particular drug, let alone clearing Perumal's long list of doubts about do's and don'ts.


'The Withouts Club' comprising clerks like him, Doctors, Engineers, Bank Employees travel daily in Express Trains from Chennai to Katpadi with a season ticket that could be used only in Passenger Trains. They are often caught by the flying squad - thanks to George Fernandes - made to pay fine, squat in the platform of Railway Station for fleeing the rules. Perumal thinks, "Why all this? For the perks of a Government Job."


Rasaleela tells the ordeals of Perumal at his workplace - the Post Office - his self-respect, his unrelenting fight against servitude and oppression, his search for love, his quest for sex, the betrayal and ditching by his friends and soulmates.


Perumal writes in his novel 'Women', " I hate all women because they deny me sex." He certifies that Akila, his colleague at the Post Office is an expert in telephone sex but always denies him real sex. Padmini and Divya are from Malaysia and America respectively. Perumal showers them love to the fullest; they speak with him for hours together, they fantasize various coital positions, attain orgasms - all in internet chats - but, they never ever turn to meet him, when they come to Chennai, at least formally. Padmini, Laya, Divya, Fowshiya - all send love filled letters to Perumal. When Padmini returns to Malaysia, after her boring day in the college at 4 PM, she sends Perumal a message at 4:05 PM Malaysian time, asking whether he is free to chat with her. When he does not reply to the online message, she texts him and calls his landline phone. Perumal postulates the reasons:


1.) They have no one to speak in a foreign soil.


2.) They are currently unemployed or currently students.


3.) They are still unmarried.


4.) Unresolved Electra Complex : Divya constantly compares each and every deed of his with her dad.


He borrows money from a loan shark to educate Anandan in college and to enable him learn French. Perumal's debts rise up to Eighty Thousand Rupees. He finds tough to make the ends meet. Anandan gets a job but he never helps Perumal in repaying the debts, instead he wants to buy a land.


Muse ditches Perumal to befriend Naren and further tries to woo Mani, but Mani never gets trapped. Ranjan and Perumal are bosom friends, until Perumal introduces him to Kumarasamy. It is the bitterness that remains, after reading Perumal's relationship with women (Divya, Padmini, Laya, Spandana, Daisy, Muse), his friendship (Anandan, Ranjan, Raghavan, Celine, U.Tha.E no. 4), their betrayal, with all its absurdity - both cyber and real.


Rasaleela documents Occupational Hazards throughout its course. In the Government sponsored brothels in Bangkok, he sees prostitutes as young as Seven. Kanchana, the sex worker, narrates him the history and culture of Isan, how the Thais destroyed Isan language, a dialect of Lao language. In Paris, he sees prostitutes as old as Eighty, sex clubs, gay clubs, S and M clubs. He tells about prostitution being run as a small scale industry in an Andhra village, where the customer is treated as a guest, given oil bath, a good feast and fulfilling sex - all for Five Hundred Rupees - but the business vanished now, thanks to Chandra Babu Naidu.


He mentions nurses in the list of people he likes, for their sex appeal. At a later date, when in the ICU after a bypass surgery, while he turns in the bed in the middle of the sleep, the nurse immediately attends to him, asking, "May I help you?" She was sitting all through the night, just to oversee the two patients in the room.


The novel speaks about the body, the politics of the body, its desires, its quests, its sufferings and its compromises. The chapter that lists the world renowned torture methods makes the novel a complete one.


Helen is a hilarious character. While it takes thirty years for people to come up in politics, all it took was three months for her. At a public meeting in her village where the heir of the Chief Minister attends, she says, "India's capital is not New Delhi but Alwar Thirunagar because the heir is living there." She hoards Thirty Lakhs Rupees given to her for spending in the MLA election and eventually loses the election. Even before the election result, she was in a research to find the best house in Greenways Road - the elite's hub.


Charu quotes newspaper reports from December 2005 that tells about the stampede that killed Forty people, who were queuing from midnight to get the 'Storm Relief Fund' at MGR Nagar, Chennai. The then Chief Minister alleges the tragedy to rumors purportedly spread by the then Opposition Party, that only two hundred people would be given the relief fund on a first come, first serve basis. The then Opposition Party leader in a public meeting denies the allegation and adds that they requested the Government to utilize their 'services' in the distribution of the relief fund but it turned to deaf ears. Charu does not take stands here; he leaves it to the reader to decide who was at fault.


I used the words 'ordeal' and 'bitterness'. Though it speaks of gloominess, these ordeals and bitterness are interesting to read. This novel is a page-turner. The Chapter 16 is a postmodern carnival. Further, the chapters on Fungula, Kodambakkam Stories, Perumal C, Daisy's shortcut to success - are all interesting to read.

Service is a term far different from servitude. Just because you pay someone, it does not mean that he is your slave. Period.

(Originally written on April 30, 2014 in Charu Nivedita Readers’ Forum, Facebook)

Zero Degree - Review






Zero Degree - Charu Nivedita



***


Zero Degree - Wow!!! What a reading experience!!! I understood the lifeline of this novel is love/affection - the dearth / surplus of it. Both Aarthi and Avanthika sought love and attained it at a very young age; both were cheated; one became a whore and another got love of the hero.


Genesis(the girl baby of the hero) asks her dad at one point, when he would die, so that she would build a Taj Mahal for his dad.


The hero showers all the love on his daughter and when he is separated, he longs for his daughter. The daughter could not reciprocate the love because of threatening by her mother. The dad longs, longs, longs, goes to Himalayas; stands in front of the Almighty/ Mountain / Zero Degree.


The father writes a poem - Chamundi Devi-which encompassed the whole meaning/text/feelings/emotion of the novel.
              
Eccentricities of the hero:


The hero goes to a whore, places his bag in the table. She asks about him and once she knows that he is a literary magazine writer, she pees on the bag. So, he keeps eighteen copies of his novel at any time.


He exhibits his phallus outside a ladies' college. The girls expressions of 'shit' and 'oh my god', when read in Tamil, are hilarious.


He collects phone directories of many nations to have phone sex.


He laments that he has to read Tamil daily in addition to English daily to know more about local news, because the English dailies do not give a damn about local news.


Pleasure of Text:


Chapter Six- that says the massacre of a terrorist along with an actress winning national award- was a game for the reader. I read it twice, thrice and parenthesized the actress text alone.


In one of the earlier chapters, the author compares line by line of a son of a whore to child labourers of North India.   


The most difficult chapter to read was the one, where a dog chases the hero. Without parenthesis, I took three to four readings to get to know what was about it - the Physics comparison, etc.
                
Poems:


In first reading, I liked the Chamundi Devi poem and 'the the trinity of male gods asking Devi to cook Chapati' poem.


Other poems were good. But it requires further readings of the novel to get the full pleasure of text out of those poems.


Vulgarity:


In no part of the novel, I felt that there was an overt display of vulgarity / obscenity. The coital details were written as it happens - he does it in doggy position- that chapter was not at all vulgar / obscene.


The hero explains how to do masturbation to a female through through phone - it was not at all obscene. I wonder why the naysayers say the sexual text as obscene. And that  'ninth century brain hibernated writer' - his betrothal , first night- all were full of fun.


Conclusion:

The novel Zero Degree is really a masterpiece. It makes the reader play with the text, gives work to the reader' brain. Yet, it transfers the emotion- that is the love- that is the lifeline of this novel.

(Originally written on November 15, 2013 in
Charu Nivedita Readers’ Forum, Facebook)